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The summit is themed “Equipping the Next Generation, Transforming Tomorrow,” and is designed to inspire and empower young people across the Northern Zone of Plateau State.
It will bring together youths to discuss leadership, development, unity, and the role of young people in building a better society.
The event is powered by the Next Generation League and Bagos Loyalty Network, both of which are committed to youth involvement in peace, progress, and positive transformation.
This is more than just a gathering; it is a movement. Let’s shape the future one step, one voice, one vision at a time. It’s a call to action for every passionate young mind.
Bagos believes the Northern Zone is a vital part of Plateau’s progress. “Northern Zone: Our Precious Heartbeat. Together we EQUIP, UNITE, BUILD, and DEFEND,” the summit’s message declares.
Through this summit, Bagos continues his legacy of service by investing in the next generation and strengthening the foundation for a peaceful and united society.



The Dachung Musa Bagos Foundation has taken a significant step towards empowering youths in Plateau State by providing economic grants of one million naira to the Plateau Youth Council (PYC) Jos North Chapter. It will be recalled that the foundation has been actively supporting vulnerable children and youths through various initiatives.
The economic grant to the PYC Jos North Chapter is part of the foundation’s broader efforts to foster youth development and empowerment in the state. By providing financial support, the foundation aims to equip youths with the resources necessary to drive positive change and achieve their goals.
The Dachung Musa Bagos Foundation’s initiatives have been well-received by the community, with many praising the organization’s efforts to improve the lives of Plateau State residents. The foundation’s focus on education, youth empowerment, and community development aligns with the needs of the state, making it a valuable partner in driving progress.
The grants shall be disbursed in two weeks to youths in Jos North whose business ideas have been scrutinized and approved under the guidance of PLASMIDA and Jos North PYC leadership.
Directorate of Information and Publicity
Dachung Musa Bagos Foundation
Students of the University of Jos have gained victory after the school management agreed to their demands.
This came after a peaceful protest earlier in the day, where students demanded better hostel conditions and payment of cleaners’ salaries.
The protest was sparked by the poor state of hostels and the non-payment of domestic staff for over seven months.
A student, Ibrahim Usman, said the situation was no longer acceptable, adding that the school must provide tools for cleaners to work effectively.
He also stated that the protest was necessary to get the attention of the school authorities.
In response, the Dean of Student Affairs, Professor Christopher Piwuna, addressed the students on behalf of the administration.
He admitted that the students’ complaints were valid and said steps were being taken to pay the cleaners immediately.
Professor Piwuna also apologized for the inconvenience caused by the situation and thanked the students for speaking up peacefully.
He assured the students that the administration is committed to improving their welfare and the general learning environment.
After the assurance, the students reopened the gates, and academic and social activities resumed on campus.
R&B and Afrobeats rising artist Meemah Jackson (M.J) is back with “YOU!”, a soulful and emotional song about waiting for someone to be honest about their feelings. With a warm Afrobeats groove and R&B influence, this track shows a more personal side of the artist.
“YOU!” tells the story of that hard moment when you want someone, but they don’t tell you how they feel. You’re stuck between hope and silence. “Running and running, I thought I could go, choking and choking, I’m breathing you still.”
The lyrics reflect how difficult it can be to move on when feelings are still strong. The song started with a simple voice note from her writing partner Tabitha, and together with producer Zamar, Meemah created a sound full of emotion and rhythm. “I was coming out of a creative block, so I pushed myself to write in the moment. It became one of my most personal songs,” she shares.
Meemah discovered her love for music at 11 when she sang Brandy’s “Have You Ever”. Raised in a musical family, she quickly made a name for herself by reaching the final 8 of Stardom Nigeria and then winning the Dare2Dream competition. She even opened for Nigerian superstar Adekunle Gold.
Inspired by artists like H.E.R., Alessia Cara, and Brandy, Meemah blends soft melodies, deep lyrics, and live guitar. Her next single, “Reason,” will come out on November 8, and her first album is expected in 2025.
With “YOU!”, Meemah proves once again that she’s an honest voice in today’s music, ready to share real stories through her songs.
Listen to “YOU!” below!
https://open.spotify.com/track/3nfgYID7C671UhTXYi7739?si=cD-koK8qRkGozCaoNQ2akA








Search for Common Ground (SFCG), in partnership with the Young Leaders Network (YNL), has concluded a three-day Social Media Listening Design Workshop for micro-influencers from Plateau, Bauchi, and Gombe States. The initiative falls under the Nigeria Youth Collective Action for Religious Engagement project, aimed at promoting digital peacebuilding and Freedom of Religion or Belief (FoRB).

Munira Askira, Project Manager for the initiative with Search for Common Ground, said the training was designed to build the capacity of youth influencers in tracking and responding to harmful online narratives. “This workshop was organized for micro-influencers to build their capacity in terms of how they can do social media listening and also make an analysis from that,” she stated. She added that participants were introduced to digital tools such as the Phoenix listening tool, Canva, and AI platforms to help them gather data, analyze trends, and create content that promotes peace and counters hate speech.

Facilitator Allan Cheboi, Data and Digital Technology Lead at Build Up, noted the urgent need for peace-oriented digital engagement. He explained that digital platforms are now being used to fuel conflict and violence, and influencers, due to their online reach play a key role in shaping conversations. Cheboi stressed that the workshop focused on teaching influencers how to fact-check, research, and identify online narratives. These skills, he said, are critical for creating informed content that challenges misinformation and promotes peaceful coexistence.

Fatima Danlami, Digital Peacebuilding Project Officer with Search for Common Ground, said the project aims to change the negative narrative surrounding youth and conflict. Instead of being seen as perpetrators, she said young people are being equipped as advocates for peace and defenders of FoRB. She highlighted that the initiative supports youth both online and offline by giving them the skills, confidence, and platforms to challenge hate speech and promote inclusion. The ultimate goal, she said, is to build communities that value respect and religious freedom.

Sefa Chia, Media Officer for Search for Common Ground, emphasized the importance of respecting individual beliefs. “We are not forcing any religion on anybody. You have the right to believe in whichever god you choose to believe in, and I have the right to respect,” he said, noting that the training helps influencers understand and promote this principle.

Kaura Joshua, a Project Officer on the Youth CARE Project, encouraged influencers to take advantage of the tools and knowledge shared during the workshop. He said they now have the capacity to create positive content that drives conversations around peace and tolerance in their communities. Participants expressed appreciation to the organizers, pledging to apply the skills they gained. They committed to using their platforms to counter hate speech and promote peaceful narratives, especially around religious freedom.

Sani Mubarak, an influencer from Plateau State, said the workshop reshaped his thinking and gave him practical skills in using the Phoenix tool, AI, and content creation. He described the experience as empowering and promised to use the knowledge daily to advocate for peace online.

From Bauchi, Shehu Abdullahi described the training as an eye-opener. He said he now feels confident using the Phoenix tool and plans to monitor online conversations in his community, offering balanced and peace-driven responses.

Peace Peter, a micro-influencer from Gombe, said the training made her more conscious of the power of words. She stressed that information shared online can either build or break peace and called for fairness in addressing wrongdoing, regardless of religion or belief.









I have had a distant connection to the Ajegunle community because of my grandfather. He was born there, and having spent a large amount of time during his formative years, he had a lot of stories about that place which made it familiar even before I stepped foot into Lagos, and passed the same community in 2024.
I had known about AJEMA a year before, paying attention to it and in an interview with Richard Anichebe, popularly known as VJ Richyblaze, I understood the mission and vision behind AJEMA.
Founded in 2022, the award event was created to build community, celebrate local artists and project them to the global stage.
“As an entertainer, I’ve always longed for a platform that celebrates the entertainment industry of our beloved community,” he told me. “It didn’t exist. So we built it.”
In a country where the spotlight often skips over grassroots communities and heads straight for established stars, AJEGUNLE — ironically — has been a goldmine of Nigerian entertainment legends. From music to dance, acting to comedy, this community has produced some of the finest, but with little to no recognition at home. Until AJEMA stepped in.
The Spark That Lit the Flame
AJEMA wasn’t born out of luxury. It was born out of necessity — a gap, a silence, a longing that was too loud to ignore.
“Nobody believed it was possible… not until the day it happened,” Richyblaze said. “But we believed in it. We knew something like this had never happened in the history of AJEGUNLE.”
The first edition wasn’t just a show — it was a revolution. For the first time, the streets of AJEGUNLE buzzed with something other than struggle. It buzzed with pride. AJEMA, once just an acronym, became a symbol. Mention it anywhere in AJEGUNLE today, and you’ll see faces light up. That’s not branding — that’s belonging.
Building from the Bottom Up
What makes AJEMA truly groundbreaking isn’t the glitz or the glam — it’s the deliberate focus on the grassroots.
“Everyone focuses on the already made,” Richyblaze said, “but we’re interested in the upcoming. We’re building from the bottom — giving the young talents a platform to rise.”
One powerful example is Speraw De Great, once a street dancer in AJEGUNLE. After winning Male Dancer of the Year at AJEMA, he was handpicked to join Asake on a global tour. From corner battles to international stages, that’s the kind of ripple effect AJEMA is now known for.

And yet, the awards remain community-funded. No corporate sponsors. No brand partnerships — yet. Just sweat, sacrifice, and soul.
The Power of Recognition
One of the most moving parts of our conversation was Richard recalling the second edition of AJEMA — the most difficult one to plan.
“As I walked on stage to give my Convener’s speech, I saw every major Ajegunle entertainment figurehead in one room — all at once. That had never happened before. I broke down in tears. That moment meant everything.”
Since then, AJEMA has become more than an award ceremony. It’s a cultural compass. A gatekeeper. A reminder that people are watching, appreciating, and rewarding the effort entertainers put in.
“It’s like a police force now,” he chuckled. “People work harder because they know AJEMA sees them. We reward consistency.”
Even legendary actress Ruth Kadiri, who grew up in AJEGUNLE, weighed in:
“Never did I imagine that there would ever be something so unique to the Ajegunle community. I love it and I am proud of the great change AJEMA has brought.”
Crafting a Legacy, One Upgrade at a Time
Each edition of AJEMA brings something new — tighter production, a better stage, smoother nomination processes. There’s a screening system after nominations, ensuring fairness, credibility, and celebration based on merit.
“Every year we upgrade something. It’s our way of telling the world that AJEGUNLE can be known for excellence too.”
The impact isn’t just felt in production or prestige — it’s in how connected fans have become to their favorite creatives, how much unity now exists in a once fragmented community, and how AJEGUNLE is slowly rebranding itself from the inside out.
What the Future Holds
When I asked Richyblaze what AJEMA would look like in 5 to 10 years, his answer came without hesitation: “The biggest entertainment hub in Africa.”
He said it without blinking. Not out of arrogance, but from conviction. The fifth edition, he revealed, will serve as a landmark anniversary — and for the first time, they plan to seek official partnerships and sponsorships, also investing into advocacy and corporate social responsibilities.
They also advocate for a community auditorium in AJEGUNLE — a space to call their own. A home for creativity, collaboration, and cultural celebration.
More Than An Award Show
More than anything, AJEMA is about belonging. It gives AJEGUNLE a reason to gather, celebrate, and remember that they are more than the headlines, more than the stereotypes.
“Our people love hard. They just needed a platform to express it,” Richyblaze said.
And that’s exactly what AJEMA is: a platform that gives voice to a people who have always had something to say — and now, finally, a stage to say it on.